tokyo street photo

It is a proposal of the knitted article with the no needlework knitting machine. The stretching feeling of the needlework fee that is the sewing machine needlework of original clothes and generated by needlework by knitting it with the no needlework knitting machine is canceled. The knitting handle that designs as reflecting in the bodyline Sheiped by the action of light and the shadow in consideration of the arrangement of the knitting handle to visually show the most beautiful woman's bodyline, and wraps bodyline with bird's shuttlecock is designed by the high-tech knit programming.

tokyo street photo

It is a proposal of the knitted article with the no needlework knitting machine to have hung with the skin as the theme that wore the skin. The stretching feeling of the needlework fee that is the sewing machine needlework of original clothes and generated by needlework by knitting it with the no needlework knitting machine is canceled. It is designed as reflecting in the bodyline Sheiped by the action of light and the shadow in consideration of the arrangement of the knitting handle to visually show the most beautiful woman's bodyline, and it is designed by the high-tech knit programming. Moreover, it knits so that the connection of the handle that fits the body may look beautiful and it designs. It is a first step to the clothes-making to the future that the approach and clothes to the second skin that is an eternal theme of clothes dream.

street fashion

Though colors and patterns of textiles changed from year to year,^[9] the cut of a gentleman's coat and the length of his waistcoat, or the pattern to which a lady's dress was cut changed more slowly. Men's fashions largely derived from military models, and changes in a European male silhouette are galvanized in theatres of European war, where gentleman officers had opportunities to make notes of foreign styles: an example is the "Steinkirk" cravat or necktie.

street fashion

Ten 16th century portraits of German or Italian gentlemen may show ten entirely different hats, and at this period national differences were at their most pronounced, as Albrecht Dürer recorded in his actual or composite contrast of Nuremberg and Venetian fashions at the close of the 15th century (illustration, right). The "Spanish style" of the end of the century began the move back to synchronicity among upper-class Europeans, and after a struggle in the mid 17th century, French styles decisively took over leadership, a process completed in the 18th century.

street fashion

The fashions of the West are generally unparalleled either in antiquity or in the other great civilizations of the world. Early Western travellers, whether to Persia, Turkey, Japan or China frequently remark on the absence of changes in fashion there, and observers from these other cultures comment on the unseemly pace of Western fashion, which many felt suggested an instability and lack of order in Western culture. The Japanese Shogun's secretary boasted (not completely accurately) to a Spanish visitor in 1609 that Japanese clothing had not changed in over a thousand years.^[6] However in Ming China, for example, there is considerable evidence for rapidly changing fashions in Chinese clothing,^[7]

street fashion

The pace of change accelerated considerably in the following century, and women's fashion, especially in the dressing and adorning of the hair, became equally complex and changing. Art historians are therefore able to use fashion in dating images with increasing confidence and precision, often within five years in the case of 15th century images. Initially changes in fashion led to a fragmentation of what had previously been very similar styles of dressing across the upper classes of Europe, and the development of distinctive national styles, which remained very different until a counter-movement in the 17th to 18th centuries imposed similar styles once again, finally those from Ancien Régime in France.^[4] Though fashion was always led by the rich, the increasing affluence of early modern Europe led to the bourgeoisie and even peasants following trends at a distance sometimes uncomfortably close for the elites - a factor Braudel regards as one of the main motors of changing fashion.^[5]

street fashion

The beginnings of the habit in Europe of continual and increasingly rapid change in styles can be fairly clearly dated to the middle of the 14th century, to which historians including James Laver and Fernand Braudel date the start of Western fashion in clothing.^[2][3] The most dramatic manifestation was a sudden drastic shortening and tightening of the male over-garment, from calf-length to barely covering the buttocks, sometimes accompanied with stuffing on the chest to look bigger. This created the distinctive Western male outline of a tailored top worn over leggings or trousers which is still with us today.

street fashion

The habit of people continually changing the style of clothing worn, which is now worldwide, at least among urban populations, is generally held by historians to be a distinctively Western one. At other periods in Ancient Rome and other cultures changes in costume occurred, often at times of economic or social change, but then a long period without large changes followed. In 8th century Cordoba, Spain, Ziryab, a famous musician - a star in modern terms - is said to have introduced sophisticated clothing styles based on seasonal and daily timings from his native Baghdad and his own inspiration.

street fashion

The terms "fashionable" and "unfashionable" are employed to describe whether someone or something fits in with the current or even not so current, popular mode of expression. The term "fashion" is frequently used in a positive sense, as a synonym for glamour, beauty and style. In this sense, fashions are a sort of communal art, through which a culture examines its notions of beauty and goodness. The term "fashion" is also sometimes used in a negative sense, as a synonym for fads and trends, and materialism. A number of cities are recognised as global fashion centres and are recognised for their fashion weeks, where designers exhibit their new clothing collections to audiences. These cities are New York City, Milan, Paris, and London. Other cities, mainly Los Angeles, Tokyo, São Paulo, Sydney, and Dubai also hold fashion weeks and are better recognised every year.

street fashion

Fashion refers to styles of dress (but can also include cuisine, literature, art, architecture, and general comportment) that are popular in a culture at any given time. Such styles may change quickly, and "fashion" in the more colloquial sense refers to the latest version of these styles. Inherent in the term is the idea that the mode will change more quickly than the culture as a whole.

street fashion photo

It is a fashion of the woman who walks in the town in Japan.
The miniskirt and boots are the current fashions.